The sci-fi subgenre of “ordinary man with remarkable but niche skill set ends up reluctantly saving the world” somehow still finds fertile ground in 2026 – perhaps the triumph of the charming nerd is as sure as death and taxes....
Across his two-decade feature career, Mamoru Hosada has stuck to a handful of thematic preoccupations. Family in all its complexity; forgiveness over revenge, and an earnest belief in the innate collective goodness of humanity. He explores these subjects via epic fantastical...
Despite a framing device that vaguely ties its disparate stories together, there’s an extent to which Bi Gan’s Resurrection is essentially a glorified anthology film. But oh, how glorious its sights and sounds truly are. The writer/director’s follow-up to 2018’s 3D spectacular...
Forty years on, the film is often branded ‘the lesbian Brokeback Mountain’. Though it’s a rather lazy point of comparison (not least because it predates both Ang Lee’s film and Annie Proulx’s short story by some years) the film’s relationship to...
The sight of Jodie Foster speaking fluent French is the most engaging element of this limp and convoluted psychodrama from the usually reliable Rebecca Zlotowski. Foster plays a psychiatrist named Lillian Steiner who we meet just before she storms upstairs to...
Euphoria and devastation are the twin emotional poles that prop up the lopsided big top that is Oliver Laxe’ Sirât, a film about life, death, and music that’s not made for your ears but for your heart. The film opens with...
In a landscape where film festivals have had to jostle violently for the attention of sales agents and studios, it helps if you’ve cultivated a specific vibe and an identifiable audience. Austin’s South By Southwest (SXSW) is eking ever closer to its...
The story is delivered through the awed narration of Sister Mary Partington (Thomasin McKenzie), which allows us to enjoy the occasional juicy episode that was the product of hearsay or gossip. Yet Fastvold is admirably measured in the way she...
On June 7 2024 Charli XCX unleashed a monster. Green, mean and only 41:23 minutes long, ‘brat’ wasn’t just an album – it was an entire summer. And then it was a global phenomenon that dominated pop culture long after the leaves turned golden....
I discovered the work of the American documentary filmmaker Frederick Wiseman through sheer pot lock. I used to work for the film section of Time Out London magazine, and my job involved writing capsule reviews for repertory and festival screenings that...
