After the surprise success of 2021’s John Wick knock-off Nobody, it comes as no surprise that the Hollywood brain trust has decided to foist a quickie sequel onto the world. Nobody 2, from Indonesian filmmaker Timo Tjhajanto who takes the reins...
Hoping to resurrect her late grandmother, Júlia, Catarina Ruivo combines family archives with rich visuals in a non-fiction film which successfully immortalises a cherished loved one. Old photographs of Júlia and her husband are printed out and carefully placed in beaches and...
There’s no denying that the rise of Eminem was a once-in-a-generation cultural phenom, especially when the poster boy for white rap up until that point was Vanilla Ice. His early albums instantly became hard cultural currency, not only for their abrasive,...
If you’ve been to the cinema in the past few months, specifically to watch a horror film, you might have seen an intriguing teaser for Zach Cregger’s sophomore film, Weapons, in which a child’s voice recalls the night that 17 children –...
For many millennials and Gen Z cinephiles, Mark Waters’ Freaky Friday is a cornerstone of early 2000s cinema. The third adaptation of Mary Rodgers’ 1972 novel of the same name, this Y2K outing starring Disney icon Lindsay Lohan and scream queen Jamie Lee...
On the show this week we discuss Bring Her Back and speak to its delightful directors Danny and Michael Phillipou. The spoof returns in The Naked Gun, and for Film club we revisit the original Naked Gun. Joining host Leila...
A good comedy must be funny; this shouldn’t be a debatable statement, and yet it would seem that as of late, too many studio efforts in the genre are making an effortful case for the contrary. Consider the earners of recent...
On Truth & Movies this week, we discuss The Fanastic Four: First Steps and spoke to its star Ralph Ineson. We then review the latest Hong Sang-Soo film, What Does That Nature Say To You and finally, for film club,...
We’re guessing that there’s a spreadsheet somewhere on an old company laptop in Hollywood whose rows and columns made the compelling financial case for the sequel to 2022’s mid-tier animated feature, The Bad Guys. As, on a purely vibes-based deduction, it’s not a film...
The FOMO is going to be very real and very hard for anyone who doesn’t happen to be headed to the Lido this year to sample the delectable delights of the annual Venice Film Festival. One upshot of the Cannes...
