By Yura Sapi, Aganza Kisaka. Aganza Kisaka, Founder of Yenze Theatre Conservatoire, discusses being an entrepreneur, a teacher, and an artist in Uganda. She reflects on consistency as key and celebrating the little wins. Source link...
By Laura Grothaus. “If your body is a portal, where does it lead?” This question led the creation of Paradise Portals, an immersive performance and dance party featuring Baltimore-area trans and queer artist Source link...
By Carla Della Gatta. To understand the impact of the 2025 Fornés Institute Symposium, one must look to both the events on the schedule and the space in-between and on the side—the conversations, reunions, sparks of men Source link...
By Emily Chackerian. Is New York theatre backsliding into a less equitable industry? Source link...
By Seth Wilson. When Stage Left Theatre went looking for a space to produce The Distrikt of Lake Michigun, they turned to Chicago’s history of storefront theatre. Source link...
By L. Nicol Cabe. Online theatre spaces can promote accessibility, democratic processes, international connections, and ecological benefits, but many digital platforms act as intermediaries that disrupt storytelling Source link...
By . This digital showcase lands as a direct response to the recent political transformations in Syria and includes two live artist discussions that will be held to deepen the engagement with the featur Source link...
By Citlali Pizarro. Parrots at the Pagoda imagines an afterworld where parrots guide Puerto Rican drag performer Johnny Rodriguez through memories of his life. Source link...
By Bryan Stanton. Through culturally responsive pedagogy, Byan Stanton opened up their design classrooms to center student voices and value knowledge from many distinct cultures. Source link...
By VIKTOR VILISOV. In Russia, “LGBT propaganda” has been banned, forcing artists who want to create work that engages with queerness to do so in secret. Source link...
